@article{oai:nagano-nct.repo.nii.ac.jp:00001042,
 author = {山﨑, 健一},
 journal = {長野工業高等専門学校紀要, Memoirs of Nagano National College of Technology},
 month = {Jun},
 note = {application/pdf, There have been a lot of discussions about the authorship of Two Noble Kinsmen written in the 17th century. Although it has been agreed that this was Shakespeare’s final play corroborated with John Fletcher, the fact that Two Noble Kinsmen has a bunch of unique features has sometimes embarrassed the readers. The uniqueness of this play, many critics have reached an agreement on this point, derives from its difficulty in reading, inconsistent plot, and helplessly dark atmosphere at the ending. In addition to these highly conspicuous features, this play has other tiny, noticeable features: effective uses of direct speeches, verbal nouns, compound words, and so on. Close investigations of them inevitably lead us to lose confidence about one basic concept that Two Noble Kinsmen was a play to be on the stage. It is probably not a far-fetched assumption that Two Noble Kinsmen was created not for playing, but for another purpose, namely, for publishing.},
 title = {『二人の血縁貴公子』における特徴的作劇法―出版用台本の可能性を探って―},
 volume = {52},
 year = {2018}
}